Building Inclusive and Livable Cities
Synetic Theater has another hit on its hands with its new production of Beauty and the Beast. “It gives you goosebumps,” writes the website Broadway World; “A lush, almost feverish theatrical experience, impressive to see and satisfying,” gushes Talkin’ Broadway blog; “fresh and frightening,” declares the Washington City Paper; and “graphically clever” as well as “bewitchingly ideal conveyance,” notes the doyen of Washington critics Peter Marks in the Washington Post.
Just eight years after establishing a powerful military regime that would last 26 decades, Shogun Tokugawa Ieyasu became so disturbed by a troupe of itinerate actors that he expelled them from his Suruga military base. The group performed in a popular new style known as “kabuki.” To critical observers such as Ieyasu and his coterie of military strong-men, kabuki dancing consisted of women of ill-repute showing themselves off to potential customers. While an overly simplistic characterization, early kabuki performance seemed to many to be primarily about sell
On a recent pleasant summer evening, my wife and I found ourselves at Washington’s Southwest Waterfront listening to a free sunset concert by one of the fabulous jazz divas of our times, Washington’s Sharón Clark. Sharón, who packs important clubs from Broadway to Irkutsk and is frequently compared by critics to Sarah Vaughn, was performing before people who know and appreciate what a special singer she is.