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What People are Saying

“Sergei Zhuk’s illumination of youth culture in a provincial and closed Ukrainian city draws on a fascinating breadth of sources—archival documents, diaries, oral histories, and KGB intelligence. Zhuk shows how, despite the efforts of ideological officials and the paranoia of the KGB, the Soviet state fought a losing battle of accommodation and compromise against Western cultural influences. These influences, however, served to bolster as much as undermine Soviet ideology. Zhuk reconfigures Brezhnev-era society to reveal a more contradictory and multifaceted history than one usually encounters.”—Kate Brown, University of Maryland, Baltimore County

“This book is a rich read that pairs depth of analysis to an accurate measure of anecdote, and which succeeds in keeping a critical distance to a subject that clearly lies close to the personal affection of the author.”—Thunnis van Oort, European Review of History: Revue europeenne d'histoire

Rock and Roll in the Rocket City is crammed with food for thought and should provoke many productive conversations in the field of Soviet history and beyond.”—Kristin Roth-Ey, Slavic Review

“Zhuk gives us a fascinating insight into Dnipropetrovsk under Soviet rule and provides a comprehensive background to amny of the personalities and events that took place in the first two decades of Ukrainian independence. Rock and Roll in the Rocket City should be included in every course taught on twentieth-century Ukraine.”—Taras Kuzio, Slavonic and East European Review

“Serious and highly original study, the most complete to date of Western influence in a provincial city of the former Soviet Union.”—Donald J. Raleigh, Journal of Modern History

“Zhuk’s excellent monograph makes a signal contribution in teasing out the complexities, ambiguities, and contradictions of official policy toward ‘western’ cultural influence from the 1960s to the mid-1980s…. this book … should be lauded for taking a major step forward in the study of popular culture in the late Soviet Union.”—Gleb Tsipursky, Journal of Social History

“Sergei I. Zhuk’s nuanced study offers a welcome addition to the growing literature on what used to be regarded as an unvariegated era of Soviet history.”—Amy Nelson, American Historical Review

“Zhuk’s history of rock music is a very important contribution to late-Soviet social and institutional history.”—John Bushnell, Laboratorium

“Zhuk provides an invaluable addition to a less researched but culturally transformative period between Khrushchev's ‘thaw’ and Gorbachev’s perestroika. Illustrations, an excellent bibliography, and richly informed footnotes abound.”—Choice

“Refreshingly new and rich in insights.”—Sabrina P. Ramet, Russian Review

“Zhuk has written a fascinating insight … The book provides the necessary background for many of the personalities and events that took place in the first two decades of Ukrainian independence.”—Taras Kuzio, Ukraine Analyst

“There have been worthy studies of rock music in the Soviet Union in the past, but what distinguishes Zhuk’s account is the breadth of material he has been able to assemble in documenting the deep roots that the rock culture sunk into the society of ‘developed socialism’… Zhuk’s innovative book, Rock and Roll in the Rocket City, opens up a new field of inquiry, one that raises fundamental questions about what we really know about how the Soviet Union worked.”—Peter Rutland, Transitions Online

“[Zhuk] makes his case convincingly in his thoroughly researched and well-organized study of western cultural influences during his youth in his home city.”—James von Geldern, Russian History

“A fascinating and academically important work.”—Robert Hornsby, Europe-Asia Studies

Chapter List

Introduction: Back in the USSR—The “Glory Days” of Late Socialism, Fascination with the West, Identities, and Scholar
1. The Closed Rocket City of Dniepropetrovsk

Part I. The “Beating” 1960s: From the Khrushchev Thaw to the Brezhnev Doctrine
2. Anti-Soviet Crimes, Poetry, and Problematic Nationalism,1960–1968
3. The Campaign against the Novel Sobor and the End of the National Literary Revival
4. The First Wave of Music from the West: The Consumption of Jazz
5. Beatlemania, Shocking Blue, and the Ukrainian Cossacks
6. Sources of Rock Music Consumption

Part II. The Hard-Rocking 1970s: The Beginning of Mass Westernization
7. Western Adventure Stories and Ukrainian Historical Novels: Problems of the Homogenization of Soviet Culture
8. Crimes from the West: Westerns, the Mafia, and Crime Films
9. Idiocy and Historical Romance from the West: Comedy and Historical Films
10. The Democratization of Rock Music Consumption
11. Popular Religiosity in the Dniepropetrovsk Region: Cultural Consumption and Religion

Part III. The “Disco Era,” Antipunk Campaigns, and Komsomol Business
12. Taming Pop Music Consumption: From “Tantsploshchadka” to Discotheque
13. The Komsomol Magazine Rovesnik and the Ideology of Pop Music Consumption
14. Antipunk Campaigns, Antifascist Hysteria, and Human Rights Problems, 1982–1984
15. Tourism, Cultural Consumption, and Komsomol Business

Conclusion: “Between Moscow and L’viv”—The Closed City as an Ideological Failure of Late Socialism

Appendix: The Methodology for the Interviews
Notes
Selected Bibliography

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